"The author of Don't Worry It Gets Worse takes on the F-word Alida Nugent's first book, Don't Worry, It Gets Worse, received terrific reviews, and her self-deprecating "everygirl" approach continues to win the Internet-savvy writer and blogger new fans. Now, she takes on one of today's hottest cultural topics: feminism. Nugent is a proud feminist--and she's not afraid to say it. From the "scarlet F" thrust upon you if you declare yourself a feminist at a party to how to handle judgmental store clerks when you buy Plan B, You Don't Have to Like Me skewers a range of cultural issues, and confirms Nugent as a star on the rise"--

The Instant New York Times Bestseller Shortlisted for the Carnegie Medal for Excellence in Nonfiction A searing, deeply moving memoir about family, love, loss, and forgiveness from the critically acclaimed, bestselling National Book Award-winning author of The Absolutely True Diary of a Part-Time Indian. Family relationships are never simple. But Sherman Alexie's bond with his mother Lillian was more complex than most. She plunged her family into chaos with a drinking habit, but shed her addiction when it was on the brink of costing her everything. She survived a violent past, but created an elaborate facade to hide the truth. She selflessly cared for strangers, but was often incapable of showering her children with the affection that they so desperately craved. She wanted a better life for her son, but it was only by leaving her behind that he could hope to achieve it. It's these contradictions that made Lillian Alexie a beautiful, mercurial, abusive, intelligent, complicated, and very human woman. When she passed away, the incongruities that defined his mother shook Sherman and his remembrance of her. Grappling with the haunting ghosts of the past in the wake of loss, he responded the only way he knew how: he wrote. The result is a stunning memoir filled with raw, angry, funny, profane, tender memories of a childhood few can imagine, much less survive. An unflinching and unforgettable remembrance, YOU DON'T HAVE TO SAY YOU LOVE ME is a powerful, deeply felt account of a complicated relationship. One of the most anticipated books of 2017--Entertainment Weekly and Bustle

A writer's journey with the fan bases of Phish and Insane Clown Posse describes his unexpected discovery of how both groups have tapped the human need for community, a finding that coincided with his diagnosis of bipolar disorder.

Sweet, bookish Neve Slater always plays by the rules. And the number one rule is that good-natured fat girls like her don't get guys like gorgeous, handsome William, heir to Neve's heart since university. But William's been in LA for three years, and Neve's been slimming down and re-inventing herself so that when he returns, he'll fall head over heels in love with the new, improved her. So she's not that interested in other men. Until her sister Celia points out that if Neve wants William to think she's an experienced love-goddess and not the fumbling, awkward girl he left behind, then she'd better get some, well, experience. What Neve needs is someone to show her the ropes, someone like Celia's colleague Max. Wicked, shallow, sexy Max. And since he's such a man-slut, and so not Neve's type, she certainly won't fall for him. Because William is the man for her... right? Somewhere between losing weight and losing her inhibitions, Neve's lost her heart - but to who?

Alida Nugent graduated college with a degree in one hand and a drink in the other, eager to trade in parties and all-nighters for “the real world.” But post-grad wasn’t the glam life she imagined. Soon buried under a pile of bills, laundry, and three-dollar bottles of wine, it quickly became clear that she had no idea what she was doing. But hey, what twentysomething does? In Don’t Worry, It Gets Worse, Nugent shares what it takes to make the awkward leap from undergrad to “mature and responsible adult that definitely never eats peanut butter straight from the jar and considers it a meal.” From trying to find an apartment on the black hole otherwise known as Craigslist to the creative maneuvering needed to pay off student loans and still enjoy happy hour, Nugent documents the formative moments of being a twentysomething with a little bit of snark and a lot of heart. Perfect for fans of HBO's Girls and Allie Brosh's Hyperbole and a Half, and based on her popular Tumblr blog The Frenemy, Don’t Worry, It Gets Worse is a love note to boozin’, bitchin’ ladies everywhere.

Lucinda Hoekke works at The Complaint Line, listening to anonymous callers air their random grievances. She becomes captivated by the ruminations of one particular caller, and they fall desperately in love. Lucinda also plays bass in a struggling band whose lyricist, Bedwin, is suffering from writer's block, and whose lead singer, Matthew, has kidnapped a kangaroo from the local zoo. Hoping to re-charge the band's creative energy, Lucinda 'suggests' some of The Complainer's philosophical musings to Bedwin, who transforms them into brilliant songs - with disastrous consequences. What results is a comedy of plagiarism, usurpation, and sex, with delightful echoes of Jane Austen's Emma

How we can teach children to fight the impulse to bully and give them the tools to resist bullying when it does occur Jane Katch is a master teacher and wonderfully astute observer of the four- and five-year-olds in her preschool classroom. In her new book she investigates why so many young children, who are only newly aware of the existence of the group, immediately try to cement their place in it by keeping others out. As she takes us into the world of her classroom and shows us how her kids act and react, she comes to new understandings of why some kids bully and scapegoat, how other kids get through the experience, and how she as a teacher might intervene to help all children. "If you want to understand the power dynamics of kids, if you want to know what teasing and bullying looks like in early elementary school, then you must read They Don"t Like Me." —Michael Thompson, coauthor of Best Friends, Worst Enemies "Jane Katch offers us a rare gift, the insider"s view of her remarkable classroom as she and her children struggle to understand what is fair and just in the explosive arena of those who intimidate and those who feel intimidated . . . A vivid and honest narrative." —Vivian Gussin Paley, author of You Can"t Say You Can"t Play

You probably know Simon Napier-Bell as the manager of the Yardbirds. Or you may know him as the man who managed Marc Bolan, or Japan. You should definitely know him as the man who managed Wham! And if none of these rings a bell, maybe you'll remember him as the man who co-wrote 'You Don't Have To Say You Love Me' for Dusty Springfield. You Don't Have To Say You Love Me is one of the funniest books you will read and equally provoking. From his revelation that the entire music industry was motivated by sex, to an embarrassing come-on from a suicidal Brian Epstein, it's all shocking stuff. But when you're on the run from the German police with Marc Bolan, brothel-hopping with Keith Moon and generally living the life of Riley at the music industry's expense, it would be a shame not to share those amazing experiences with the rest of the world, wouldn't it? Of all the great pop-music books written, it is worth savouring You Don't Have To Say You Love Me for its brilliant sideways insight into one of the most exciting cultural periods Britain has ever seen.