When Rupert Murdoch enlisted Roger Ailes to launch a cable news network in 1996, American politics and media changed forever. Now, with a remarkable level of detail and insight, New York Magazinereporter Gabriel Sherman brings Roger Ailes to life, along with the outsized personalities-Megyn Kelly, Gretchen Carlson, the Murdochs, Sarah Palin, Karl Rove, Glenn Beck, Mike Huckabee, Bill O'Reilly, Sean Hannity, and others-who have helped Fox News play a defining role in the great social and political controversies of the past two decades. Drawing on hundreds of interviews with Fox News insiders past and present, The Loudest Voice in the Roomis an extraordinary feat of reportage. Story Locale-New York, NY

When Rupert Murdoch enlisted Roger Ailes to launch a cable news network in 1996, American politics and media changed forever. Now, with a remarkable level of detail and insight, New York Magazinereporter Gabriel Sherman brings Roger Ailes to life, along with the outsized personalities-Megyn Kelly, Gretchen Carlson, the Murdochs, Sarah Palin, Karl Rove, Glenn Beck, Mike Huckabee, Bill O'Reilly, Sean Hannity, and others-who have helped Fox News play a defining role in the great social and political controversies of the past two decades. Drawing on hundreds of interviews with Fox News insiders past and present, The Loudest Voice in the Roomis an extraordinary feat of reportage. Story Locale-New York, NY

This is the story of America's Fox News Channel - the NewsCorp phenomenon headed by Roger Ailes that spurred the rise of the Tea Party, controls political debate in the world's superpower, and counts presidential candidates on its payroll. Fox News Channel generates $1 billion in annual profits. Yet the network, one of the past quarter-century's biggest business success stories, remains shrouded in mystery. Few understand its profound influence on American politics and world affairs.Gabriel Sherman, a reporter for New York magazine, has cultivated sources at the highest rungs of the company. This is a gripping book that will reveal the real story of Fox News, starting with the founding of the network in 1996 and tracing its meteoric ascent to the present, where it dominates the political landscape in the US and increasingly throughout the world.

In this volume, Peter S. Perry describes what performance criticism is and shows its application to biblical studies and theology. He draws on the best thinkers and practitioners in this field as well as his own experience to show how performance criticism can open up the meaning of and appreciation for biblical texts. In addition, Perry presents challenges for the future of performance criticism and its role in biblical interpretation generally. Each volume in the new Insights series discusses discoveries and insights gained into biblical texts from a particular approach or perspective in current scholarship. Accessible and appealing to today’s students, each Insight volume will discuss (1) how this method, approach, or strategy was first developed and how its application has changed over time; (2) what current questions arise from its use; (3) what enduring insights it has produced; and (4) what questions remain for future scholarship.

For almost a decade, journalists and pundits have been asking why we don't see successful examples of political satire from conservatives or of opinion talk radio from liberals. This book turns that question on its head to argue that opinion talk is the political satire of the right and political satire is the opinion programming of the left. They look and feel like two different animals because their audiences are literally, two different animals. In Irony and Outrage, political and media psychologist Dannagal Goldthwaite Young explores the aesthetics, underlying logics, and histories of these two seemingly distinct genres, making the case that they should be thought of as the logical extensions of the psychology of the left and right, respectively. One genre is guided by ambiguity, play, deliberation, and openness, while the other is guided by certainty, vigilance, instinct, and boundaries. While the audiences for Sean Hannity and John Oliver come from opposing political ideologies, both are high in political interest, knowledge, and engagement, and both lack faith in many of our core democratic institutions. Young argues that the roles that these two genres play for their viewers are strikingly similar: galvanizing the opinion of the left or the right, mobilizing citizens around certain causes, and expressing a frustration with traditional news coverage while offering alternative sources of information and meaning. One key way in which they differ, however, concludes Young, is in their capacity to be exploited by special interests and political elites. Drawing on decades of research on political and media psychology and media effects, as well as historical accounts and interviews with comedians and comedy writers, Young unpacks satire's liberal "bias" and juxtaposes it with that of outrage's conservative "bias." She details how traits like tolerance for ambiguity and the motivation to engage with complex ideas shape our preferences for art, music, and literature; and how those same traits correlate with political ideology. In turn, she illustrates how these traits help explain why liberals and conservatives vary in the genres of political information they prefer to create and consume.

A national bestseller offering an inside look at the founder and former head of Fox News Roger Ailes is the quintessential man behind the curtain. He more or less invented modern politi­cal consulting and helped Richard Nixon, Ronald Reagan, and George H. W. Bush win their races for the White House. Then he reinvented himself as a master of cable television, first as the head of CNBC and, since 1996, as the creator and leader of Fox News, the most influential news network in the country. To liberals, Ailes is an evil genius who helped polarize the country by breaking the mainstream media’s long monopoly on what constitutes news. To conservatives, he’s a champion of free speech and fair reporting whose values and view of Amer­ica reflect their own. But no one doubts that Ailes has transformed journalism. Barack Obama once called him “the most powerful man in America”— and given that Fox News has changed the way millions understand the world, it may be true. Yet for all that fame and infamy, very few people know the real person behind the headlines. Journalist Zev Chafets received unprecedented access to Ailes and his family, friends, and Fox News colleagues. The result is a candid, compelling portrait of a fascinating man. We see Ailes in action at Fox News and hear him reflect on personal mat­ters he has never before discussed publicly. And we discover the heart of his sometimes surprising political beliefs: his profane piety and his unwav­ering belief in the values of his small-town Ohio boyhood. Ailes loves to fight, but he is a happy warrior who has somehow managed to charm and befriend many of the people he has defeated in political campaigns and television wars. Barbara Walters, Rachel Maddow, Jesse Jackson, the Kennedy clan— all are unexpected Ailes fans. Chafets also gives us an unprecedented look at the inner workings of Fox News and explores Ailes’s relationships with Bill O’Reilly, Sean Hannity, Megyn Kelly, Neil Cavuto, Chris Wallace, and the other stars he has nurtured. Ultimately, Ailes is neither villain nor hero but a man full of contradictions and surprises. As Chafets writes, “What will he do next? What stokes his competitive fires and occasional rages? How to reconcile his acts of exceptional loyalty and pri­vate generosity (even to rivals) with his impulse to present himself to the world as a ruthless leg breaker? What makes Roger run—and where, if anywhere, is the finish line? As Ailes himself might say: I report, you decide.” From the Hardcover edition.

Discover the critically acclaimed, #1 New York Times bestselling The Hate U Give and the highly anticipated On the Come Up from Angie Thomas in this two-book collection. FIND YOUR VOICE. MAKE SOME NOISE. The Hate U Give William C. Morris Award Winner ∙ National Book Award Longlist ∙ Michael L. Printz Honor Book ∙ Coretta Scott King Author Honor Book "Absolutely riveting!" —Jason Reynolds "Stunning." —John Green "This story is necessary. This story is important."—Kirkus (starred review) "Heartbreakingly topical."—Publishers Weekly (starred review) Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. On the Come Up Sixteen-year-old Bri wants to be one of the greatest rappers of all time. Or at least win her first battle. As the daughter of an underground hip hop legend who died right before he hit big, Bri’s got massive shoes to fill. But it’s hard to get your come up when you’re labeled a hoodlum at school, and your fridge at home is empty after your mom loses her job. So Bri pours her anger and frustration into her first song, which goes viral…for all the wrong reasons.

Autobiography of Isabel (Molison) Templeton, who was born in Scotland, and married John Clark Templeton. He was an engineer in oil develop- ment, and they lived in various places around the world until the depression in 1931. They returned to Scotland at that time, and he began a laundry business. Isabel helped unionize underpaid, overworked typists in the early 1900s, and strove to liberate the "old folks" in the 1970s.

"You are the message." What does that mean, exactly? It means that when you communicate with someone, it's not just the words you choose to send to the other person that make up the message. You're also sending signals about what kind of person you are--by your eyes, your facial expression, your body movement, your vocal pitch, tone, volume, and intensity, your commitment to your message, your sense of humor, and many other factors. The receiving person is bombarded with symbols and signals from you. Everything you do in relation to other people causes them to make judgments about what you stand for and what your message is. "You are the message" comes down to the fact that unless you identify yourself as a walking, talking message, you miss that critical point. The words themselves are meaningless unless the rest of you is in synchronization. The total you affects how others think of and respond to you.